Writer/Director The Last Avatar
Former Director of Content gaia.com
Called by Wired Magazine an “authority on the hermetic and alchemical traditions,” Jay Weidner is a renowned filmmaker, author and scholar. Considered to be a ‘modern-day Indiana Jones’ for his ongoing worldwide quests to find clues to mankind’s spiritual destiny via ancient societies and artifacts, his body of work offers great insight into the circumstances that have led to the current global crisis. He is writer/director of the feature film, The Last Avatar, director of the critically acclaimed documentary, Infinity: The Ultimate Trip, Journey Beyond Death and writer/director of the documentary series on the work of Stanley Kubrick, Kubrick’s Odyssey and Beyond the Infinite. Source: http://jayweidner.com/bio/
Masaki Miyagawa is an author, speaker and consultant based in Los Angeles. He has over 10 years experience in the esoteric field and his family has been involved in Buddhist Studies for over 400 Years. Masaki is currently teaching Mediation Classes and available for personal numerology consultations. Source: https://www.akaida.com/contact
DUNCAN LAURIE has undergraduate and graduate degrees in art from the University of Pennsylvania. From the mid 1970s to the early 2000s he produced architectural glass design commissions for a wide variety of individuals and businesses while living in New York City and Jamestown, Rhode Island. His clients include Blackrock Financial Management, 9 West, Milbank Tweed Hadley & McCloy, Citicorp Executive Center, Anne Klein II, Electra Records, Estée Lauder, Readers Digest Fund, Lincoln Square N.Y.C., Sky Tokyo, United Overseas Bank Singapore, Lane Crawford Stores, Ratheon Corporation, Capital Cities ABC, and many other individuals and companies throughout the world. In 1980 the late Richard J. Reynolds III introduced Laurie to the world of alternative technology and inventors. Thus began a learning curve whereby the world of art and subtle energy technology slowly began to reveal their commonalities of function and purpose. More
Our interview in part focuses on Duncans book:
THE SECRET ART: A Brief History of Radionic Technology for the Creative Individualtraces this astonishing process beginning with early art designs suggestive of radionic intent. For many prehistoric and indigenous peoples, art was also a means of interacting with Nature to enhance healing, increase crop yields, and enable visionary experiences. Coincidentally, radionic inventors discovered by trial and error that even drawings and bizarre technology could function radionically. This discovery followed a long process of design innovation that started with mechanical devices, proceeded through a generation of electronic instruments, and most recently has been applied to computer and software technology. Conceivably, the theory and techniques outlined in this book could provide artists with a revolutionary approach to the creative process that is at once both new and timeless. A potential exists today for radionic ideas to empower creative individuals to develop skills in working with Nature that achieve profound real world results.
Radionics, an alternative healing technology, is explored as a methodology for visual art and design. Radionically based tools and techniques are presented that lend themselves to experimental art and multi-media praxis.
The history of radionics is the story of how various inventors designed devices that employ directed intent to affect the real world. With these tools, they promoted healing without pills or surgery, grew crops without fertilizer, restrained insect predation without pesticides, and performed a host of other seemingly impossible feats that defy mechanistic science.
Dragonline Big Rock Maine 110907 (on SoundCloud) https://soundcloud.com/duncanlaurie/dragonline-big-rock-maine
Sounds derived from a large granite stone, part of the ancestral home in Jamestown, Rhode Island. Copper leads were affixed to the stone with molten zinc from a thermal arc sprayer. “The stone proved very active that evening, providing us with a long, uninterrupted recording opportunity, especially in the area of 7-9Hz, the area of the Earth’s resonant frequency.