Frank Jacob is a film and commercial TV production executive, an award-winning filmmaker, editor and visual artist. His most recent work was as director, producer and executive producer of the first ever outsourced GAIA TV Production ‘Timeless’. He was the writer and director of the feature documentary PACKING FOR MARS, which won the ‘People’s Choice’ award at the 2016 EBE Film Festival. He is also a music producer and composer, and was producer and supervising editor for Series 2 and 3 of the hit Red Bull show ‘Ultimate Rush’.
With solid, hands-on international production experience covering many years, Frank is an expert in virtually all aspects of the production and post-production chain, in film, TV, and music.
Known for his enigmatic approaches, Jacob has visually realized many different subjects that would not ordinarily find their way into the audio-visual medium. This has included an audio-visual exploration of blindness called ‘Beating Darkness’ for Austrian vision researcher Michaela Velikay-Parel, an after-life ‘Video Epitaph’ depicting the work of deceased architect Herwig Illmaier, and an annual report in the form of an audio/visual narrative entitled ‘Information Is Art’, which he performed live in 2007 with cellist Katharina Feldbacher at Carnegie Hall for the influential ‘American-Austrian Foundation’, an off-shoot of the world-renowned ‘Doctors Without Borders’.
Other highlights have included a first-of-its-kind ‘live cinema’ feature entitled ‘LOOP Live Cinema’, where musical stage performances were orchestrated in tandem with dynamic visual sequences projected as dramatic narratives. He was invited to conceive and perform a unique live cinema spectacle, in January 2010, in collaboration with a 65-piece symphony orchestra in Salzburg, the birth town of Mozart.
Jacob is a director and producer of the feature documentary ‘SOLAR (R)EVOLUTION’, which won ‘Best Feature’ at the 2013 EBE Awards, and the award for ‘Best Consciousness Film of 2013’ at the New Realities and META Center Spiritual Film Festival in New York City. Source: https://www.linkedin.com/in/jacobmedia/
Introduction to a Tale of Two Timelines
Not sure what you are getting into? In this VIDEO INTRODUCTION Frank Jacob gives you a 5 min synopsis of the material covered in the webinar everyone’s raving about.
“You have to forget about what other people say, when you’re supposed to die, or when you’re supposed to be loving. You have to forget about all these things. You have to go on and be crazy. Craziness is like heaven.” ~ Jimi Hendrix
When we raise ourselves through meditation to what unites us with the spirit, we quicken something within us that is eternal and unlimited by birth and death. Once we have experienced this eternal part in us, we can no longer doubt its existence. Meditation is thus the way to knowing and beholding the eternal, indestructible, essential centre of our being. ~ Rudolf Steiner
Writer/Director The Last Avatar
Former Director of Content gaia.com
Called by Wired Magazine an “authority on the hermetic and alchemical traditions,” Jay Weidner is a renowned filmmaker, author and scholar. Considered to be a ‘modern-day Indiana Jones’ for his ongoing worldwide quests to find clues to mankind’s spiritual destiny via ancient societies and artifacts, his body of work offers great insight into the circumstances that have led to the current global crisis. He is writer/director of the feature film, The Last Avatar, director of the critically acclaimed documentary, Infinity: The Ultimate Trip, Journey Beyond Death and writer/director of the documentary series on the work of Stanley Kubrick, Kubrick’s Odyssey and Beyond the Infinite. Source: http://jayweidner.com/bio/
Masaki Miyagawa is an author, speaker and consultant based in Los Angeles. He has over 10 years experience in the esoteric field and his family has been involved in Buddhist Studies for over 400 Years. Masaki is currently teaching Mediation Classes and available for personal numerology consultations. Source: https://www.akaida.com/contact
DUNCAN LAURIE has undergraduate and graduate degrees in art from the University of Pennsylvania. From the mid 1970s to the early 2000s he produced architectural glass design commissions for a wide variety of individuals and businesses while living in New York City and Jamestown, Rhode Island. His clients include Blackrock Financial Management, 9 West, Milbank Tweed Hadley & McCloy, Citicorp Executive Center, Anne Klein II, Electra Records, Estée Lauder, Readers Digest Fund, Lincoln Square N.Y.C., Sky Tokyo, United Overseas Bank Singapore, Lane Crawford Stores, Ratheon Corporation, Capital Cities ABC, and many other individuals and companies throughout the world. In 1980 the late Richard J. Reynolds III introduced Laurie to the world of alternative technology and inventors. Thus began a learning curve whereby the world of art and subtle energy technology slowly began to reveal their commonalities of function and purpose. More
Our interview in part focuses on Duncans book:
THE SECRET ART: A Brief History of Radionic Technology for the Creative Individualtraces this astonishing process beginning with early art designs suggestive of radionic intent. For many prehistoric and indigenous peoples, art was also a means of interacting with Nature to enhance healing, increase crop yields, and enable visionary experiences. Coincidentally, radionic inventors discovered by trial and error that even drawings and bizarre technology could function radionically. This discovery followed a long process of design innovation that started with mechanical devices, proceeded through a generation of electronic instruments, and most recently has been applied to computer and software technology. Conceivably, the theory and techniques outlined in this book could provide artists with a revolutionary approach to the creative process that is at once both new and timeless. A potential exists today for radionic ideas to empower creative individuals to develop skills in working with Nature that achieve profound real world results.
Radionics, an alternative healing technology, is explored as a methodology for visual art and design. Radionically based tools and techniques are presented that lend themselves to experimental art and multi-media praxis.
The history of radionics is the story of how various inventors designed devices that employ directed intent to affect the real world. With these tools, they promoted healing without pills or surgery, grew crops without fertilizer, restrained insect predation without pesticides, and performed a host of other seemingly impossible feats that defy mechanistic science.
Dragonline Big Rock Maine 110907 (on SoundCloud) https://soundcloud.com/duncanlaurie/dragonline-big-rock-maine
Sounds derived from a large granite stone, part of the ancestral home in Jamestown, Rhode Island. Copper leads were affixed to the stone with molten zinc from a thermal arc sprayer. “The stone proved very active that evening, providing us with a long, uninterrupted recording opportunity, especially in the area of 7-9Hz, the area of the Earth’s resonant frequency.